Get all 8 The Henrys releases available on Bandcamp and save 30%.
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The Henrys Toronto, Ontario
Toronto Star:
"Old instruments, new sounds’ is the way Rooke describes what The Henrys do -
they extract from a resonator guitar and other plucked acoustic instruments the harmonics, overtones and oblique noises behind the rustic notes to create landscapes that are astonishingly romantic, frightening, sexual, spiritual - and quite beautiful. Brave new music."
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BLOOM
by Kevin Breit & Don Rooke with David Piltch
supported by 13 fans who also own “Ascension Day Night”
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supported by 5 fans who also own “Ascension Day Night”
Dearest Arooj, firstly thank you. My brother died this year n what can be said about such loss n sadness. I saw n heard you at The end of the Road in England. I spent many years in India n love all the music, poetry of your heritage. Thankyou Arooj❤️
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supported by 5 fans who also own “Ascension Day Night”
one of the most beautiful things I have ever heard
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A fascinating, appealing record no less “weird” than the rest of her oeuvre, but certainly the most weirdly versatile.
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Folk for camera
by Louis DeCicco
An album of eight hushed songs from Louis DeCicco that emphasize the gloriously ghostly sound of slide guitar.
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How Does It Feel EP
by Lizzie Weber
Missouri singer/songwriter Lizzie Weber delivers a trio of songs lightly informed by country music, and fleshed out with strings.
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Bloody Noses EP
by Richard Thompson
supported by 5 fans who also own “Ascension Day Night”
John Drumbo French from Captain Beefheart and The Magic Band worked with Thompson on two albums along with Fred Frith and Henry Kaiser. Those two French, Frith, Kaiser and Thompson albums led me to this. Also, Richard Thompson taught Hugh Cornwell (of The Stranglers) how to play the bass guitar in a band when they were both at the same school (Emil and The Detectives?). With a career spanning 50 years and playing with two of my heroes (French and Cornwell) Thompson has produced a fascinating EP.
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